Jan 8, 2019
Matt and AAlgar of the Post Atomic Horror make a return trip to mayor's office in the company of our own Flonk, hoping for safety in numbers as we attempt to make some sense of the Canadian freeform jazz horror anthology "A Christmas Horror Story". We look at the four intersecting storylines to work out which of them are good (none of them), and which are, while perhaps promising conceptually, ruined utterly by the talent involved and the bizarre decision to chop them up and intersperse them regardless of content or pacing. (Three of them. One wasn't even conceptually good.) Also, Matt swears so much that I didn't bother jingling it, so get ready for that.